Showing posts with label Perfect Pop. Show all posts
Showing posts with label Perfect Pop. Show all posts

Friday, 4 June 2010

The 20 greatest pop songs




This blog has covered many types of music in its short life from Turkish disco to Australian funk. If one was going to be critical though you could argue that it isn’t always accessible to the occasional enjoyer of popular music. This week I seek to unashamedly redress that balance by presenting the top 20 pop records.

First though some rules. All the records selected are post 1980 – which for me is when the era of manufactured pop really began. OK so there were the Bay City Rollers, the Jackson 5 and the Osmonds but pop was really born out of synthesised pop and anyway I can’t really remember much pre Thatcher. Second, I’m only including acts that are undoubtedly pop acts – Charley by the Prodigy is a pop record but they can’t really be considered a pop act. See also Gnarls Barclay, Chemical Brothers, Basement Jaxx, Depeche Mode, Blur, Missy Elliott and Goldfrapp. Finally, every record has to be at least a top 10 UK hit – pop music is by its very nature popular and this is the measure of success I choose. That’s enough of the rules – let’s enjoy the music!

20. Don’t go – Yazoo

The combination of Vince Clarke’s synth melodies and Alison Moyet’s husky vocal provides an early 80’s classic. Famously championed by Diplo in recent years on his superb Fabric mix – it holds up well alongside full on electro.

19. Comfortably Numb – Scissor Sisters

It’s easy to forget that Scissor Sisters were born of the alternative New York scene and their arrival was genuinely championed by many in the music press. This was a real statement of intent – take perhaps Pink Floyd's most mind numbingly depressing song and turn it into a camp disco dancefloor number. The first thirty seconds at least are thrilling. I’ve often wanted to play this out but always lacked the guts!

18. Prince Charming – Adam and the Ants

Adam had a great image for a pop star. I remember getting a skull and crossbones earring free with Look In magazine and wanting to smear a white line across my nose. This was probably his finest moment.

17. Karma Chameleon – Culture Club

Another great 80’s star – Boy George had a voice to almost match the aforementioned Alyson Moyet. His voice had real soul and he was always too cool to fall into the sleazy soul singer trap which afflicted Mick Hucknall some years later. This was a genuinely subversive and ‘mature’ number 1. Church of the poisoned mind was another great track.

16. Move your feet – Junior Senior

So bad its good. Cheesy, camp and poppy but somehow infectious with a great chorus. Stamp-stamp-stamp-stamp-stamp your feet.....I remember one of these guys being pretty fat and the other very camp...

15. Sweet Dreams – Eurythmics

I overdosed on Eurythmics when I was a kid as my mother, like so many others, could relate to Annie as a ‘strong woman’ and played them to death. It was only when Coldcut played the opening synth riff at Bestival a few years ago that I realised that this was an absolute classic.

14. Toxic – Britney Spears

Catchy innit?! The rest of her career is pants though..(except Baby one more time). She went off the rails a bit once she met Justin...

13. Rock your body – Justin Timberlake

Talking of whom...His first album was probably the most exciting pop album since prime time Jacko. There were a number of highlights but I think this one edges it. The breakdown in the middle where he freestyles is great. Great beats too.

12. Holiday – Madonna

We had to have one from Madge. Hung Up was a recent highlight for sure but it’s essentially an ABBA song so instead I’ll go for this from the other end of her career. Great bassline (sampled by Avalanches). I’ve lost count of the times I’ve had an empty dancefloor early evening, played this and all the ladies hit the floor.

11. Stool Pigeon – Kid Creole and the Coconuts

Again, born from the New York underground but went global in 1982. Kid Creole and the Coconuts were from the Bronx and incorporated Caribbean sounds into their pop disco template. Pop perfection.

10. Don’t stop moving – S Club 7

Jo was my favourite. These guys had a good career at a time when pop had really lost its way (Westlife? Steps? Blue?). I’ve seen this one fill the dancefloor at many a wedding and seems to appeal across the generations.

9. Controversy – Prince

Another artist with many tunes which could be included. This is a personal favourite – I love its sense of urgency.

8. Freak like me – Sugarbabes

Essentially a mash up by Richard X who took Tubeway Army’s Are Friends Electric, put the babes over the top and took it to number 1. Who is in this band now?

7. Tally Ho – AR Rahman feat. Pussycat Dolls

Pussycat Dolls are rubbish really but this is an absolute killer. Essentially a bollywood tune and catchy as hell- a rare example of catchy pop music in the new millennium.

6. American Boy – Estelle feat. Kanye West

Another recent highlight. Oozes summer and perfectly illustrates the New York/London love in. Estelle is a real talent, I look forward to seeing where she goes next.

5. Bootylicious – Destiny’s Child

The obvious choice is Beyonce’s Crazy In Love but this is a bit of an overlooked gem. A great example of the introduction of Rn’B flavours being introduced to the pop mix. A top 5 hit in all the key ‘territories’ it sampled Stevie Nicks’ Edge of Seventeen. There was a great mash up of this with Nirvana’s Smells Like Teen Spirit.

4. Beat It – Michael Jackson

Thriller – too contrived. Billie Jean – Too clever and overplayed. I’ll plump for the Eddie Van Halen powered Beat It. I played this at a wedding the week Jacko died and the reaction almost ripped the roof off. A unique talent.

3. Groove is in the heart – Deelite

A real one hit wonder (in the UK at least). Maybe a bit too credible for this list but it is unashamedly pop. A mutli-national band (Croatia, Japan, US) drawn together in New York they sampled Donald Byrd’s Bring down the birds to create a wedding disco staple. Lyrics were written by Q-Tip and bass was provided by the mighty Bootsy Collins.

2. Sounds of the Underground – Girls Aloud

Pretty much everyone loves Girls Aloud and I’m no exception. In a world where pop music has become increasingly bland and ballad led Girls Aloud and their production team Xenomania are the masters of the up tempo dancefloor monster. This, the first of their 19 top 10 singles, has a spoonful of drum n bass, some dance guitars and five lovely voices – perfect pop indeed.

1. Can’t get you out of my head – Kylie Minogue

Just how good is this song? Brilliant- period. It manages to be cool and effortless yet catchy as hell. Co-written by Cathy Dennis it has hints of Kraftwerk lite and a wonderful video. Kylie is the perfect pop package. Confide in Me and Slow were great singles too but to not include this would be criminal. Disagree with this or any other choices? Leave your comments below...

Thursday, 11 March 2010

Super Furry Animals - An appreciation



Much is written about perfect pop music but what is it? Girls Aloud? Arctic Monkeys? Destiny’s Child?

For me perfect pop music is music that is laden with melody but it also has to be ever so slightly subversive – acts that spring to mind are the Small Faces, ELO, the Clash, the Beatles and the Byrds. In recent years music has, in my opinion, become increasingly split between those who strive for chart success and those that couldn’t care less preferring to stay underground and plough their own furrow with few managing to bridge the gap between the two.

There are exceptions – Radiohead spring to mind as do Massive Attack, Supergrass, Goldfrapp and Beck but the masters of the art are surely Super Furry Animals. This is a band that take tanks to gigs but has top 10 hits, a band who record welsh language albums but headline festivals and a band whose lead singer gets nominated for the Mercury music prize for a concept album about John Delorean.

The Super Furries emerged out of post Oasis era Creation records in the late 1990's. They couldn’t be more different – while Oasis took the established template of male rock n roll (Beatles, Slade and Smiths) to create a safe but roof raising stadium sound, SFA were influenced more by the 1970’s era Beach Boys, Sparks, ELO and 1970s welsh folk to create their stunning debut Fuzzy Logic. It referenced Howard Marks, Shellsuits and Unicorns suggesting that real psychadelia was alive and well in Wales. The hooks of the guitar driven tracks God, show me magic and If you don’t want me to destroy you were infectious while the slower tracks most notably Gathering Moss were heartfelt. The lyrics were weird but intriguing enough to draw the listener in.

Momentum was maintained with Radiator and Guerilla – albums that covered all bases including synth pop, techno, ballads, electronica, indie, folk and rock . By this time their cover art was evolving into a distinct brand via the excellent visual art of Pete Fowler and their videos were becoming notable for their use of abstract humour and attention to detail.

Rings around the world is considered by many to be their classic album. It’s certainly the most fully realised – an album that perfectly captured the millennial themes of Bill Clinton’s adultery, Global Warming and Christian fundamentalism and yet was never heavy going and always melodic. If you want an entry point I suggest this or Gruff Rhys’ excellent solo album Candylion which provides a folkier take on the SFA sound.

Phantom Power followed before the release of Lovekraft in 2005. This is undoubtedly my favourite SFA album – it is much more pastoral and less guitar oriented than their other work and brings to mind the mellow guitar work of 1970’s Pink Floyd. The first track alone is over 8 minutes long, starts with one of the band jumping into a swimming pool and ends with a Catalonian choir. The album as a whole brings to mind the Beatles White album which can’t be a bad thing (Its shorter too).

Since Lovekraft one senses that the band have tried to go back to basics with shorter songs and more guitar driven melodies. Hey Venus and Dark Days/Light Years contain some fantastic moments – including the frankly bizarre krautpop of Inaugural trams – a song about integrated transport systems that features a rap from one of Franz Ferdinand. Each of the band has also involved themselves in solo projects – most notably Gruff Rhys whose Neon Neon project with Boom Bip moved into synthesized pop territory and was critically acclaimed.

It is unlikely that Super Furry Animals are going to have a huge hit at this stage of their career (they are the wrong side of 40) but one senses that they just might and in a just world they would dominate the top 10 for months to come. Their hooks are fantastic and yet they are as experimental as any band around. They are also a fantastic live band with their gigs feeling like five in one (an indie bit, a psychedelic bit, a techno freakout bit etc etc) If you haven’t given them a listen do so – I suspect you’re gonna like it! You’ll find them on Youtube, Spotify, Itunes and lovely black vinyl. To paraphrase Dr Johnson a man who is tired of Super Furry Animals is a man who is tired of life...here's one for starters...